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36 more 4 less!
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36 more 4 less!

April 4  2008, 7.00 p.m. – opening night Red hall Б brain С store П project, Heteropodi Dance Company and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: 36 more 4 less! dance performance Idea and concept: Rossen Mihailov; Choreography: Galina Borissova, Mila Iskrenova, Tatyana...

28013
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28013

April 4  2008, 9.00 p.m. Red hall Б brain С store П project and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: 28013 cultural performance with and about Petia Yosifova Idea and direction – Ivo Dimchev “I am Petia Yosifova, master in cultural studies…” A...

Spanking: Portrait 1
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Spanking: Portrait 1

April 4  2008, 11.00 p.m. Red hall Б brain С store П project and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: Spanking: Portrait 1 Performance about the solitude, the violence and the please it creates. Idea and performance – Teodor Kotov; Staging – Juliana...

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Dance for Camera 1

April 5  2008, 7.00 p.m. Gulliver hall Б brain С store П project and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: Dance for Camera 1 documentaries A Breath with Pina Bausch (Pina Bausch’la Bir Nefes) (dir. Huseyin Karabey, Turkey 2004, 45 min.) Film about...

Tchaikovsky
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Tchaikovsky

April 5 2008, 9.00 p.m. – opening night Red hall Б brain С store П project and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: Tchaikovsky improvisation and music collage by Galina Borissova In the course of the years the neurotic traits of the character...

Void
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Void

April 5 (Saturday) 2008, 11.00 p.m. – opening night Red hall Б brain С store П project and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: Void performance Idea – Miroslav Yordanov, Violeta Vitanova and Stanislav Genadiev; Choreography – Violeta Vitanova and Stanislav Genadiev; Design...

Mirror Phase
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Mirror Phase

April 6  2008, 7.00 p.m. Red hall Б brain С store П project and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: Mirror Phase performance Idea: Iva Sveshtarova; Directing: Iva Sveshtarova in co-operation with the performers; With the participation of: Ralitsa Kashova, Mila Odazhieva, Iva...

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Dance for Camera 2

April 6  2008, 8.00 p.m. Gulliver hall Б brain С store П project and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: Dance for Camera 2 short films Dance for Camera 2 is a selection of short dance video-impressions from USA and Bulgaria presenting dance...

Praesentiae
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Praesentiae

April 6 2008, 9.00 p.m. Pesha Nikolova hall Б brain С store П project and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: Praesentiae Concept and construction: Ana Vaseva Performed by: Margarita Petrova, Milena Stanojevich, Mia Momchilova, Stella Krusteva; Video: Ana Vaseva, Valeria Chao, Ivan...

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Jam Session

April 6 (Sunday) 2008, 10.30 p.m. Red hall Б brain С store П project and The Red House Centre for Culture and Debate present within Antistatic – Festival for Contemporary Dance and Performance: Jam Session With the musicians Biliana Vouchkova (violin/voice); Alexander Evtimov-Shamana (percussions/voice); Viktor Dichev (guitar/bass) and others and the participants in the Nomad...

SALOME
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SALOME

Salome was a Jewish queen who lived in I c. AD. She is often identified with the dancing woman from the New Testament whose seductive dance led to the death of John the Baptist. Christian traditions depict her as an icon of dangerous female seductiveness.

A MARY WIGMAN DANCE EVENING
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A MARY WIGMAN DANCE EVENING

Contemporary dance doesn’t seize to come back to its beginnings set by its pioneers in Europe a century ago. They broke with the conventions of classical ballet and tried to devise new forms of dance in accordance to their individuality and the spirit of the time.

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ARACHNOPHILIA – WHO IS AFRAID OF THE FEMALE ARTIST?

Arachne, the spider, is a well known figure from Greek mythology. She can be read as one of the first famous female artists. Arachne weaves reality as it is becoming, she deciphers our world as a web of facts where there is no one truth. She dares to fight against regulative powers and norms that always try to enter, control and determine artistic production. She is a performance artist.

MAYDAY
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MAYDAY

Mayday is the internationally recognized distress signal for emergencies. As if through a detective’s lens the dance performance enlarges forms of communication chaos in present-day dynamic, competitive environment.

INSTANZEN
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INSTANZEN

On May 29, 1913 at the Théâtre des Champs Elysées in Paris the audience witnessed the world premiere of "Le Sacre du Printemps” written by the Russian avant-garde composer Igor Stravinsky and choreographed by Vaslav Nijinsky. Because of their unusually emotional reaction to the work the public became part of the legend around this work which marked the beginning of modern choreography.

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SILKE’S WORKSHOP

A workshop with the Austrian dance artist Silke Grabinger. The workshop contains the logic of movement and expressivity of urban dance as well as the knowledge and flow of contemporary techniques. It is oriented to dance professionals and non-professionals with a good physical training.

VERSUCHSPERSON SILKE GRABINGER
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VERSUCHSPERSON SILKE GRABINGER

Silke Grabinger is a dancer and choreographer. She is a woman. She is a former breakdancer and danced at Cirque du Soleil.What are the projections on her person, which issues do choreographers tie her together with and what does she make out of it?

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COMMENTING A PERFORMANCE: THE FEEDBACK METHOD

For artists getting feedback is one of the most important ways for testing how their work is received and what it has achieved. The DasArts Master of Theatre programme (Amsterdam) has developed a method for structuring the process of giving feedback.

SEQUEL FOR THE FUTURE
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SEQUEL FOR THE FUTURE

A dance performance in two acts, which explore what contemporary dance will look like in 30 years and how it will be excercised. In order to collect different points of view Willy Prager and Sonja Pregrad made interviews with other dance artists from different generations asking them why they have selected dance as a means of communication and self-expression and what might be their answer in 30 years.

FACEBOOK THEATER
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FACEBOOK THEATER

“I`ve always found it very healthy to try out and exploit new formats and ways of doing, thinking or writing theater. To me social networks manage to accumulate inexhaustible and unique dramaturgical material and since years I’ve been asking myself whether it’s possible people’s natural experience of dealing with them to be implanted and exercised in a theatrical context that is limited in time and space

HOW IS NOW
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HOW IS NOW

The stage is set with a drum kit and a dancer to undertake a dissection of movement in time. The limits of speed and stillness are broken and reach into the unexpected. Walking, talking, blinking – is it too fast or too slow? “How is Now” observes time and re-shapes the way it frames us.

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